SAITO Sadamu

CAREER 1948
Born in Nagano, JAPAN
1972
Graduation of the Department of Photograph at the Kuwasawa Design School
1990.3
Retirement of the Visual arts technical officer at the University of Tsukuba
1990.4
Establishment of Workshop "S+A" (as a free-lance photographer)

PERSONAL EXHIBITIONS:
2004.8
"The scents of sweet cage" Contemporary Photo Gallery, Tokyo
2000
"Last Details" Creative House AKUAKU, Tsukuba, Ibaraki
1996.2
"Vegetation1996" Plaza Gallery, Tokyo
1989
"TRANSIT ZONE" Gallery FROG, Tokyo
1988
"Incomplete City-Space" PS Gallery, Tokyo
"Transient + Incomplete City-Space" Tsukuba Expo Center, Ibaraki
1986
"Show-The research academic city Tsukuba" Creative House AKUAKU, Tsukuba, Ibaraki

GROUP EXHIBITIONS:
2007.8-10
"The Sense of Collapse" The National Modern Art Museum, Tokyo
2006.7
"retrospective 1998-2006" epSITE Epson Imaging Gallery, Tokyo
2003.1
"Photo 2003" Tsukuba Museum of Art, Ibaraki
1999
"OTSUJI Kiyoji and 15 photographers" Gallery of the Tokyo Zokei University, Tokyo
1998
"Photography today : the absence of distance" Film Center of the National Museum of Modern Art, Tokyo
1990
"20x24 inches Polaroid camera photograph" EXPO'90 Photo Museum, Osaka
1987
"Photo and Solid" in the Couple of shows. G-Art Gallery, Tokyo


AMABIKI 2013




The Sights of Absence part II

Photograph

91.0×136.5cm ×3pieces
32.9×48.3cm ×6piece
21.0×29.7cm ×4pieces

When Sarin (crab) died, my daughter cried and made the grave,
Blacky (male cat) had trusted me since a certain incident,
Grey (female cat) always hated me after I pulled the dead kitten out,
Jiji (male dog) died of severe canser, with my wife by his side.


AMABIKI 2011 In the midst of winter






Observation Wheel

Photograph

110×90cm ×2pieces
90×110cm ×1piece
60×110cm ×4pieces


AMABIKI 2008




In the light

Photograph

80×80 (h)cm x12 pieces

In this exhibition, which keeps changing the area and spaces where the works are shown, the place I chose was a space that had long given me a feeling of darkness.
I brought artificial light into that place. It is the decorative light of a pachinko hall, the mercury light of a golf driving range. The grass and the rainwater are together stained red, and the trees are green, sucking the sunlight. The faces of three generations of women take on their own forms.