

Stone, Wood
49×256×65(h) cm
40×247×48(h) cm


Stone, Wood
49×256×65(h) cm
40×247×48(h) cm

| 略歴 | 1953 Born in Chiba, JAPAN 1981 Compleated graduate shcool of master’s program of Musashino Art University PERSONAL EXHIBITIONS: 2003 Gallery Saou, Tokyo Gallery K, Miyazaki 1999 Tamashin Gallery, Tokyo 1994 Arukus Gallery, Tokyo 1989/ ’84 Atagoyama Gallery, Tokyo SELECTED GROUP EXHIBITIONS: 2005 The 1st Exhibition of “Aso no michi”. Kanagawa 2004/’00 The 8th Exhibition of Selected Works from Sculpture Contest. Kajima KI bldg.., Tokyo 2003 The 5th Exhibition of Amabiki Village and Sculpture. Yamato, Ibaraki (’01/ ’99) 1993 Tama21 International Open Air Sculptures Exhibition. Tokyo SYMPOSIUMS: 2005 Indo Japan ’05 Stone Symposium. Vadodara, INDIA 2000 “PICAF” The Symposium of Open Air Sculpture. Pusan, KOREA “STONE 2000” International Sculpture Symposium. Vadodara, INDIA 1988-’89 INDIA-JAPAN Sculptor’s Camp. Vadodara, INDIA |

Black Hard Stone
125×100×45 (h)cm

Cinnamomum Japonicum
92×78×300 (h)cm

Basalt
75×65×178 (h)cm

White granite
150×105×145 (h)cm
110×90×117 (h)cm

Black granite
650×95×25 (h)cm



Black granite
105×90×100 (h)cm
100×100×120 (h)cm
Form is a thing that exists through various relationships that support each other.
If there’s a front, there must be a back, and if there’s an outside, there must be an inside.
Their mutual relationships may be visible to the eye, but they may not.


Granite
130×100×10 (h)cm
For a long time, I’ve wanted to install my own sculpture here. As I was drawn to this place, I had somehow decided on the material, form and title at some stage. Emboldened by the season,
I will place a sculpture entitled “Springtime” here.

Black granite
180×130×120 cm
I want to hold in my memory the fact that there were two stones in this place in Yamato Village.

White granite, Iron
380×220×250 cm
700 kg
Spring in Yamato Village is just beautiful. Every time I visit, I think again “can there really be this many kinds of green?” Within the copses that are everywhere in this village, I created my works with the white marble that is everywhere in this village. When I cut back the undergrowth on the installation site, a Japanese bird cherry sapling grew up, so I decided to incorporate it into my work.

Marble, Rope
60×120×55 cm
800 kg